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Silent ListeningIf something bad just happened (happen) to your friend, what would you d

Silent ListeningIf something bad just happened （happen) to your friend, what would you d

Silent Listening

If something bad just happened (happen) to your friend, what would you do？ Would you mention it to him and say you feel sorry about it？ Would you offer support or advice？ According to Ruth Clark, such 41 (treat) could mean well, but it might not be what he 42 (real) wants or needs.

Clark asked some college students to imagine some 43 (pleasant) situations, e.g., a low exam grade or the dad’s 44 (lose) of his job.The students were then 45 (ask) how they would like to be treated by a friend who learned of the bad situation from someone else.The results were a little 46 (surprise).Some said they would want and expect their friend to mention the 47 (annoy) situation, but most of the students in the study 48 (respond) that they would like the friend not to do it.The students made the 49 (decide) for themselves whether to discuss their problem with a friend.So, there is value in being a silent 50 (listen) around a troubled friend.

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更多“Silent ListeningIf something b…”相关的问题

第1题

B/S是什么单词的缩写（）

A.Big/Silent

B.Browser/Silent

C.Big/Server

D.Browser/Server

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第2题

There was（)in the meeting room as the general manager predicted the company's sale

There was()in the meeting room as the general manager predicted the company's sales target.

A. Silence

B. silent

C. silently

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第3题

If we keep silent and profit from the clerk’s mistake, we would drive home with a sense of sneaky excitement

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第4题

Which of the following might be the author’s opinion about communication（）

A．Keep silent

B．Just listen

C．Be careful

D．Tell your own story

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第5题

In 1920, barely out of his teens, Alfred Hitchcock went to work for an American film company which had opened a studio in Islington, London. His first job at the studio was writing captions (脚本) for silent movies. Within two years, he was writing scripts(剧本) and working as an assistant director.

For the rest of the 1920s, Hitchcock worked on one film after another in Britain and Germany. Filming was often a rough-and-ready(匆忙做成的) affair and the assistant director was required to step in and plug gaps. A cameraman went missing, Hitchcock became a cameraman. A scene needed rewriting, Hitchcock rewrote it. Someone needed to be in charge of money when the film crew was on location, Hitchcock looked after the money.

At the same time, this being the era of silent movies, Hitchcock was learning the language of cinema: telling a story-not through dialogue, but through visual images(视觉影象). This led to his success later.

When he began to direct his own films, first in Britain and later in Hollywood, he was determined to make films that held the audience's attention and kept tension(紧张感). He succeeded. Hitchcock's ability to put you on the edge of your seat makes him one of the greatest makers of suspense(悬念) movies.

211.Alfred Hitchcock's first job at the studio was（）.

A.writing scripts

B.working as an assistant director

C.writing captions for silent movies

D.directing his own films

212.According to the context, "step in and plug gaps" (in Line 3, Para.2) means（）.

A.take one's place to do something

B.ask for one's help

C.make up one's mind to do something

D.congratulate someone on something

213.（） prepared Hitchcock for his success later.

A.Telling a story through dialogue

B.Telling a story through visual images

C.Directing silent films

D.Rewriting scripts

214.He was determined to（） in his film-making.

A.tell stories that move the world

B.show people the meaning of life

C.show what is affecting the nature

D.draw the audience's attention and keep tension

215.Which of the following about Hitchcock is TRUE?

A.He didn't go to work until he was twenty.

B.He had taken up different jobs before he succeeded.

C.He first directed his own films in Hollywood.

D.He is the greatest maker of suspense movies.

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第6题

完型填空One night, a thief broke into an old man's house. He ___1___ a noise and woke up the old man and his wife. The husband told his wife to be silent, while he said loudly, "My dear, these days thieve

完型填空One night, a thief broke into an old man's house. He ___1___ a noise and woke up the old man and his wife. The husband told his wife to be silent, while he said loudly, "My dear, these days thieves are cleverer. If they take ___2___ their clothes and put them on the table, the people in the room will fall asleep and can't wake up." When the thief ___3___this, he took off his clothes at once and was ready to set out to work. At this___4___, the husband suddenly shouted in a loud voice:"Stop thief! Stop thief!" The thief was very frightened. He ran away as fast as be could and ___5___ his clothes on the table.

1.A：made B：moment C：off D：left E：heard

2.A：made B：moment C：off D：left E：heard

3.A：made B：moment C：off D：left E：heard

4.A：made B：moment C：off D：left E：heard

5.A：made B：moment C：off D：left E：heard

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第7题

In 1920, barely out of his teens, Alfred Hitchcock went to work for an American film co

mpany which had opened a studio in Islington, London. His first job at the studio was writing captions (脚本) for silent movies. Within two years, he was writing scripts(剧本) and working as an assistant director. For the rest of the 1920s, Hitchcock worked on one film after another in Britain and Germany. Filming was often a rough-and-ready(匆忙做成的) affair and the assistant director was required to step in and plug gaps. A cameraman went missing, Hitchcock became a cameraman. A scene needed rewriting, Hitchcock rewrote it. Someone needed to be in charge of money when the film crew was on location, Hitchcock looked after the money. At the same time, this being the era of silent movies, Hitchcock was learning the language of cinema: telling a story-not through dialogue, but through visual images(视觉影象). This led to his success later. When he began to direct his own films, first in Britain and later in Hollywood, he was determined to make films that held the audience's attention and kept tension(紧张感). He succeeded. Hitchcock's ability to put you on the edge of your seat makes him one of the greatest makers of suspense(悬念) movies. (以下为试题题干)He had taken up different jobs before he succeeded.()

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第8题

Simone de Beauvoir's work greatly influenced Betty Firedan's—indeed, made it possible. Why

, then, was it Friedan who became the prophet of women's emancipation in the United States？ Political conditions, as well as a certain anti-intellectual bias, prepared Americans and the American media to better receive Friedan' s deradicalized and highly pragmatic The Feminine Mystique, published in 1963, than Beauvoir's theoretical reading of women's situation in The Second Sex. In 1953 when The Second Sex first appeared in translation in the United States, the country had entered the silent, fearful fortress of the anticommunist McCarthy years (1950- 1954), and Beauvoir was suspected of Marxist sympathies. Even The Nation, a generally liberal magazine, warned its readers against "certain political leanings" of the author. Open acknowledgment of the existence of women's oppression was too radical for the United States in the fifties, and Beauvoir' s conclusion, that change in women's economic condition, though insufficient by itself, "remains the basic factor" in improving women's situation, was particularly unacceptable.

According to the passage, one difference between The Feminine Mystique and The Second Sex is that the former______.

A．rejects the idea that women are oppressed

B．contains anti-intellectual biases

C．does not reflect the political beliefs of its author

D．concentrates on the practical aspects of women's emancipation

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第9题

A musical film belongs to a film genre that' features songs, sung by the actors, interwove

n into the narrative. The songs are usually used to advance the plot or develop the film's characters. A sub-genre of the musical is the musical comedy, which includes a strong element of humour as well as the usual music, dancing and storyline.

The musical is responsible for the transition from silent film to sound film in the development of the mo- ti0n picture. The popularity of movies grew rapidly during the golden days of the silent film era, but the concept of "talking pictures" was considered a risky investment by the msjor Hollywood studies, until the Warner Bros. studio took the leap and produced "The Jazz Singer", starring Al Jolson. Jolson's song "Msmmy" in the picture forever changed the medium of film, and it jolted Hollywood into the era of sound. As Hollywood adapted to sound films, musicals were an important part of Hollywood' s movie output, ranking alongside action movies (Westerns), dramas, and comedies.

Musical stars such as Fred Astaire and Ginger Rogers were among the most popular and highly respected personalities in Hollywood. Many dramatic actors gladly participated in musicals as a way to break away from their typical typecast roles. For instance, James Cagney had originally risen to fame on the stage as a singer and dancer, and he was highly, talented; but his repeated casting in "tough guy" roles and gangster movies gave him few chances. to display these talents. Cagney's Oscar-winning role in "Yankee Doodle Dandy" allowed him tosing and dance, and he considered it to be one of his finest moments.

Many comedies, (and a few dramas) included their own musical numbers. The Marx Brothers' movies included a musical number, in nearly every film, allowing the Marx Brothers themselves to. highlight their own musical talents.

The musical in film was a natural development from the stage musical. Typically the biggest difference between the movie musical and the musical theater is the use of lavish background scenery which would be impractical in a theater. Many musical films, e.g. "Oklahoma!' and "The Sound of Music", are straightforward adaptations or restaging of successful stage productions. Others, e.g. "Moulin Rouge!", were specifically written for the screen, and some, such as "Singin' in the Rain', have made a revere transition from their o- riginal screen version to a successful stage format at a much later date.

The trend is modem film-malting is not to make a "musical" as such, but to use a lot of background music by popular rock or pop bands in the hopes of selling the soundtrack album to falls. There are exceptions to this rule, and films about actors, dancers or singers have been made as successful modem-style. musicals, with the music as, an intrinsic part of the storyline. The other exception to the rule is children's animated movies. These almost always include traditional musical numbers, and some of them, such as Beauty and the Beast, have later become full live stage productions.

A musical film______.

A．is a kind of silent film

B．is a broader ca. gory than musical comedy

C．is a kind of film genre which uses a lot of background music

D．belongs to Westerners

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第10题

Student life at American universities is chaotic during the first week of each quarter or

semester. Registering for classes, becoming familiar 【51】 the buildings 【52】 campus, 【53】 books, adding and dropping classes, and 【54】 fees are confusing for everyone. During this busy period there is little time for students to anticipate 【55】 they will later encounter in the classroom.

International students, 【56】 to their countries' educational expectations, must adapt 【57】 new classroom norms in a foreign college or university. Whereas in one country prayer may be acceptable in a classroom, in another it may be 【58】 . In some classrooms around the world students must humbly obey their teacher's commands and remain absolutely silent during a class period. In 【59】 , students may talk, eat and smoke during lectures as 【60】 as criticize a teacher's methods or contradict his or her statements. It is not always easy to understand a new educational system.

There is considerable variety in university classrooms in the United States. Because of diverse teaching methods and non-standardized curricula, no two courses are 【61】 . Undergraduate courses are considerably different from graduate courses. The classroom atmosphere in expensive, private universities may differ from 【62】 in community college s 【63】 are free and open to everyone. State-funded universities have different requirements and expectations than 【64】 parochial colleges. 【65】 , there are shared features in American college and university classrooms 【66】 the diversity of educational institutions of higher learning.

Participation 【67】 the classroom is not only accepted but also expected of the student in many courses. Some professors base part of the final grade 【68】 the student's oral participation. Although there are formal lectures during 【69】 the student has a passive role(i, e. , listening and taking notes), many courses are organized around classroom discussions, student questions, and informal lectures. In graduate seminars the professor has a "managerial" role and the students 【70】 presentations and lead discussions. The students do the actual teaching in these seminars.

(51)

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